The first very stressful and the second blissfully
relaxed. If the day were a play it might be described as a a first act
punctuated with a series of planned events resolved one by one not without a high sense of mounting anxiety ;
culminating in an unplanned, highly
dramatic central event, which once it had erupted cleared the air to leave the
way open for the second act: a cathartic, languorous and memorable afternoon…
The stress was supplied by the fact that Madou, my IT friend from Djenne who was going to set up the
‘Djenne Experience’ 3 D viewing was supposed to pick me up at 7am, but he was
ONE HOUR late. I should have taken a taxi, but I was gullible enough to believe
him every time I called him and he said ‘I am only just around the corner !’
(a terrible Malian habit- don’t ever believe anyone here who tells you that !) So I started the morning in a frightful stew
and when he finally turned up I did not deign to speak to him, but just hissed ‘shut
up and let’s get the hell over there’ in my most murderous tenor.
Once at the
Archives I was immediately face to face with some of the first arrivals, among
whom I found the Dugutige, or the Djenne
Village Chief, who you might recall if you look in on this journal now and then-
he is the one who has been trying to get the Djenne Manuscript Library shut
down for years, and has done all in his might to ruin everything for us,
including turning up at the Ministry of Culture and UNESCO to put his
complaints forward. Finally the Minister of Culture- bless her- sent him a
letter which was leaked to everyone concerned. The letter said that the digitization of
manuscripts is a legal act if the participating manuscript owners have given
their consent (which they all have) and that the Ministry of Culture was warmly
endorsing the Project etc. That did not stop him. He continued regardless on
his incomprehensible quest to destroy us.
So there he was. Uninvited. It was clear to me that he
was intending to cause some sort of trouble. And he did- after all the speeches :
by Cat the British Ambassador, by Hasseye the President of the Library, by me
etc ; after all the symbolic handing over of the hard drives (the supposed high point of of the ceremony which was invisible because all the
photographers and the local TV News team was crowding in and hiding the view) ;
there he was, insisting that he wanted to speak. Malians are very
respectful of age and of position. He is old and he is the Village Chief- of
course he was given the opportunity to speak. So off he went again, complaining
(in Bambara) that he had never been consulted about the Project ( the late Village chief had been though) etc. People were shifting uneasily in
their seats. An increasing murmur of embarrassed
discontent became audible. Samake, the MC had not translated any of his
intervention yet. Madame Sanogo Le
Secretaire Generale du Gouvernement with the rank of Minister and the highest official present now sent off
a flunkey to whisper in Samake’s ear to shut it up. So Samake did. And in an
incomparably cool manoevre he went up to the podium and spoke : ‘ For the
Ambassadors present ( the British, Swedish and South African) and those who may not understand Bambara I would like to
translate the Village Chief’s intervention. He is congratulating the Library on
its important work, and he is expressing how very happy he is to be here today’ etc…
After this cliff hanger it was the end of the ceremony
and people dispersed little by little but not before having had a good look at the exhibition of course, and having
tried out the 3D viewers- a great success. Here we see Banzoumana from SAVAMA trying them out:
I had been invited for lunch by Mark
Saade the Malian Honorary Consul to the UK in a venerable old Bamako restaurant- formerly called the Campagnard.
Cat, the ambassador was also invited, as well as Mark’s brother and a most
charming Malian-the ex Minister of Defense and most recently the Foreign
Minister: Tieman Hubert Coulibaly, a
direct descendant of the Bambara Kings of Kaarta, and formerly the member of a Reggae
band who had the distinguished position of warm- up group for Burning
Spear in the eighties… (Not many people
know this I should imagine.) Well it was a most fabulous lunch that went on for
four hours…
Curious to know about the 3D viewers as slightly puzzled why they would help with looking at manuscripts... Glad it all worked out in the end. Troublesome meddlers everywhere.
ReplyDeleteThat's a good point. The 3D viewers certainly provided novelty value, but they were much more than that. They were one of a number of tools we developed and have blogged about https://www.4dheritage.com/blog/heritage-its-stakeholders-and-engaging-with-them) for reaching out to different audiences in a more engaging and dynamic way. Part of the tour provided background on the landscape and built heritage, but it went beyond that. From the viewer you can stand in the manuscripts room, the conservation and digitisation room and see the more examples of manuscripts. We are looking for feedback on this experience so that it can also be turned into a classroom tool accessible to children across the world.
DeleteWell, the 3 D viewers are actually not part of the project but an interesting addition by Nicholas Mellor's initiative LSN mCubed: a possibility to 'visit' places out of bounds because of political unrest: the idea is to have local people documenting the places to enable virtual 'visits.
ReplyDeleteThat would have been good to have at the British Library, too.
ReplyDeleteYes indeed! It was offered to them but they did not want it for some reason...
ReplyDeleteDo you think if they had the opportunity to see completed 'Immersive Tour' or the Augmented Reality table top exhibit their initial reservations with the new and untried might have been overcome?
Delete